When the original hardware is not available, studios look to finely crafted, digital emulations for use ‘in the box’ in their DAW. These comprise the pieces of classic, vintage hardware that are still widely used in professional recording studios and project studios worldwide. In the history of analog EQs, few designs have withstood the test of time. This may sound like a recipe for disaster, but when the right balance of components and design are achieved, something truly pleasing, beautiful and artistic can emerge. As such, designing an analog EQ is a balancing act of limited form and function that ultimately results in a small degree of phasing and harmonic distortion, non-linear resonances and added noise to the source signal. The beauty, and frustration, of analog design is that each component has inherent physical limitations. The answer lays in the perfectly imperfect analog components. So what is it about vintage EQs that separates them from their digital counterparts? Why is it that the equivalent settings in an analog circuit EQ often seem to come across as more ‘musical’ sounding over digital EQs? Get tips on how to choose and use different EQ plugins modeled on vintage hardware equalizers, and find out why engineers are still using these tried-and-true EQs after decades of recording technology innovation.ĭespite the flexibility, accuracy, and microscopic detail offered by digital plugin EQs, vintage analog EQ emulations continue to be an enduring part of almost every mixing workflow.
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